gjennyg
Tal R @ Gerhardsen Gerner
Banana Beach
 May 15–August 24, 2012

Tal R @ Gerhardsen Gerner

Banana Beach

 May 15–August 24, 2012

LARI PITTMAN @ GERHARDSEN GERNER
Irrevocable
April 27–June 30, 2012

LARI PITTMAN @ GERHARDSEN GERNER

Irrevocable

April 27–June 30, 2012

davidnolangallery:

Neil Gall, We Know What You’ve Seen, 2009 graphite on paper, 15 x 12 5/8 inches

davidnolangallery:

Neil Gall, We Know What You’ve Seen, 2009
graphite on paper, 15 x 12 5/8 inches



Guy Ben-Ari - The Time ElementMarch 8th, 2012 - April 7th, 2012Hamidrasha Gallery, Tel Aviv, Israel

Guy Ben-Ari - The Time Element
March 8th, 2012 - April 7th, 2012
Hamidrasha Gallery, Tel Aviv, Israel

“…paintings which hang on walls, naturally.
Though, at the moment, a week before the show opens, this isn’t strictly true of my paintings. Mypaintings are currently strewn around my studio. I suppose it is still true for paintings generally,but who cares about paintings generally?
The paintings in this show were made with a projector. Caravaggio used to do this with a cameraobscura. I used a digital projector and painted directly from it. I didn’t bother drawing. I don’tthink Courbet used projection, or Manet.
I am a painter of light, so to speak. 4chan’s painter of light.
The show should really be called something like “The LORD makes the world empty, and makesit waste, and turns it upside down.”
I shouldn’t say I didn’t bother drawing, like it’s a bother. I just decided that it wasn’t necessary inthis case, and why should I do something unnecessary?
The paintings have an infrastructure, the way a joke has a rhythm and logic to it. I’m terrible attelling jokes. They work like inside jokes between one another – between the paintings in theshow. If you want in on the joke, the answers are pasted on the back. There’s no shame in notwanting to do the work, or wanting to go about it backwards, or whatever else might motivateyou to want to know.
Of course, there are far more paintings in storage than those that hang on walls. Unless youinclude all the paintings people have in their homes and workplaces, then I really couldn’t hazarda guess.
Come to think of it, it’s also not totally accurate to say that these paintings are like in-jokes.They’re about communicating with people with images and about loving your neighbor and whatit might mean to understand something that someone else loves. It’s about how insane it is to loveyour neighbor. And they were painted between December and May, mostly.
Also, I guess there’s sometimes reason enough to do something unnecessary.”

Nolan SimonPaintingsMay 17 – June 17, 2012

…paintings which hang on walls, naturally.

Though, at the moment, a week before the show opens, this isn’t strictly true of my paintings. My
paintings are currently strewn around my studio. I suppose it is still true for paintings generally,
but who cares about paintings generally?

The paintings in this show were made with a projector. Caravaggio used to do this with a camera
obscura. I used a digital projector and painted directly from it. I didn’t bother drawing. I don’t
think Courbet used projection, or Manet.

I am a painter of light, so to speak. 4chan’s painter of light.

The show should really be called something like “The LORD makes the world empty, and makes
it waste, and turns it upside down.”

I shouldn’t say I didn’t bother drawing, like it’s a bother. I just decided that it wasn’t necessary in
this case, and why should I do something unnecessary?

The paintings have an infrastructure, the way a joke has a rhythm and logic to it. I’m terrible at
telling jokes. They work like inside jokes between one another – between the paintings in the
show. If you want in on the joke, the answers are pasted on the back. There’s no shame in not
wanting to do the work, or wanting to go about it backwards, or whatever else might motivate
you to want to know.

Of course, there are far more paintings in storage than those that hang on walls. Unless you
include all the paintings people have in their homes and workplaces, then I really couldn’t hazard
a guess.

Come to think of it, it’s also not totally accurate to say that these paintings are like in-jokes.
They’re about communicating with people with images and about loving your neighbor and what
it might mean to understand something that someone else loves. It’s about how insane it is to love
your neighbor. And they were painted between December and May, mostly.

Also, I guess there’s sometimes reason enough to do something unnecessary.”

Nolan Simon
Paintings
May 17 – June 17, 2012

davidnolangallery:

Carroll Dunham, Untitled (2/26/10), 2010 graphite and watercolor with monotyping

davidnolangallery:

Carroll Dunham, Untitled (2/26/10), 2010
graphite and watercolor with monotyping

NICOLE EISENMAN @ Leo KoenigWoodcuts, Etchings, Lithographs and MonotypesMay 24 – June 30, 2012

NICOLE EISENMAN @ Leo Koenig
Woodcuts, Etchings, Lithographs and Monotypes
May 24 – June 30, 2012

Elizabeth McAlpine @ Laurel Gitlen
April 29 - June 10 2012

Elizabeth McAlpine @ Laurel Gitlen

April 29 - June 10 2012

LOOK HERE, UPON THIS PICTUREALICE CHANNER, MARI EASTMAN, MARC HUNDLEY AND AMANDA ROSS-HO @ Cherry and Martin
May 12 - June 30, 2012

LOOK HERE, UPON THIS PICTURE
ALICE CHANNER, MARI EASTMAN, MARC HUNDLEY AND AMANDA ROSS-HO @ Cherry and Martin

May 12 - June 30, 2012

Michael Swaney
2012

Michael Swaney

2012

Natasza Niedziolka : Horton Gallery @ NADA Art Fair, Cologne : Apr 18 – Apr 22, 2012
 

Natasza Niedziolka : Horton Gallery @ NADA Art Fair, Cologne : Apr 18 – Apr 22, 2012

 

Harold Ancart @ C l e a r i n g 
Triple Eagle
May 5 - June 17, 2012

Harold Ancart @ C l e a r i n g 

Triple Eagle

May 5 - June 17, 2012

LEO GABIN @ Peres ProjectsWHATEVER IS CLEVER
APRIL 27 - JUNE 23, 2012

LEO GABIN @ Peres Projects
WHATEVER IS CLEVER

APRIL 27 - JUNE 23, 2012